Jarvis Dooney is pleased to present one of Australia’s leading contemporary photographers, Polixeni Papapetrou. Exhibited for the first time internationally will be her most recent series Eden juxtaposed with her 2013 body of work The Ghillies. Presented together, these two series look at the human connection to nature as well as the masculine and feminine parallels that exist in this relationship.
In The Ghillies, boys wear camouflage uniforms, like those for hunting and warfare. Warriors in the untamed landscape are symbols of power, strength and masculinity. However, like juveniles awaiting adulthood, the figures seem isolated and vulnerable, wanting their presence to be known, but not singled out.
Eden in contrast, depicts young women decorated with flowers to symbolise their metamorphosis from child to adult. Wild nature replaced with domestic flowers, depicted as the beauty of nature, fertility and purity. Like their counterparts in The Ghillies, the girls cannot escape their gender image. Presented together, these social constructs are further emphasised in relationship to the natural world.